Monday 21 September 2009
Adapted by Patrick Barlow. From an original concept by Simon Corble & Nobby Dimon.
Literally nothing has been cut from this HILARIOUS AND SPECTACULAR version of Britain’s most spell-binding thriller – legendary scenes include THE CHASE ON THE FLYING SCOTSMAN, THE ESCAPE ON THE FORTH BRIDGE, THE FIRST THEATRICAL BI–PLANE CRASH EVER STAGED, THE RATHER PROVOCATIVE ‘BEDROOM’ SEQUENCE and the death-defying (or nearly!) FINALE AT THE LONDON PALLADIUM!
With four actors playing a minimum of ONE HUNDRED AND THIRTY NINE ROLES, THE 39 STEPS proves to be the most astonishing THEATRICAL TOUR DE FORCE of this, or any other, decade
Winner: Best New Comedy – Olivier Awards
Winner: Best New Comedy – whatsonstage.com Awards
Monday to Saturday at 8pm
Tuesday Matinee 3pm
Saturday Matinee 4pm
The 39 Steps runs approximately 1 hour 50 mins including interval
Friday 18 September 2009
List of London Theatres
The majority of London's commercial "theatre land" is situated around Shaftesbury Avenue, the Strand and nearby streets in the West End. The theatres are receiving houses, and often feature transfers of major productions from the Royal National Theatre and Royal Shakespeare Company. (See the article "West End theatre", and see also the category Theatre companies in London).
The following list also includes the major non-commercial theatres in London, many of which are to be found beyond the West End.
- Adelphi Theatre
- Aldwych Theatre
- Ambassadors Theatre
- Apollo Theatre
- Apollo Victoria Theatre
- Arts Theatre
- Cambridge Theatre
- Churchill Theatre
- Coliseum Theatre
- Comedy Theatre
- Criterion Theatre
- Dominion Theatre
- Donmar Warehouse
- Theatre Royal, Drury Lane
- Duchess Theatre
- Duke of York's Theatre
- Fortune Theatre
- Garrick Theatre
- Gielgud Theatre
- Haymarket Theatre
- Her Majesty's Theatre
- Institute of Contemporary Arts
- Jermyn Street Theatre
- Landor Theatre
- London Coliseum
- London Palladium
- Lyceum Theatre
- Lyric Theatre
- Mermaid Theatre
- New London Theatre
- Noël Coward Theatre
- Novello Theatre
- Palace Theatre
- Phoenix Theatre
- Piccadilly Theatre
- Players' Theatre
- Playhouse Theatre
- Prince Edward Theatre
- Prince of Wales Theatre
- Queen's Theatre
- Royal Opera House
- Royal Court Jerwood Theatre
- Savoy Theatre
- Shaftesbury Theatre
- Soho Theatre
- St Martin's Theatre
- Vaudeville Theatre
- Victoria Palace Theatre
- Whitehall Theatre (Trafalgar Studios)
- Windmill Theatre
- Wyndham's Theatre
London Theatre - Apollo Theatre
The first London theatre built in the Edwardian period, the Apollo was refurbished by Schaufelberg in 1932, and a private foyer and ante room was installed to the Royal Box. The shaped work on the stone fascia is by T. Simpson, the building is of plain brick to the neighbouring streets. The theatre has a first floor central loggia. Inside there is a three galleried auditorium with elaborate plasterwork. The theatre seats 796, and the balcony on the 3rd tier is considered the steepest in London.
The Stoll Moss Group bought the Apollo Theatre in 1975 and sold it to Andrew Lloyd-Webber's Really helpful Group and Bridgepoint Capital in 2000. Nica Burns and Max Weitzenhoffer bought the theatre and many others in 2005, creating Nimax Theatres, which still owns the theatre.
London Theatres - List of West End Theatres
Theatre | Current show | Capacity | Opening | Closing |
Adelphi Theatre | The Rat Pack: Live From Las Vegas | 1500 | September 24 2009* | January 2 2010 |
Aldwych Theatre | Dirty Dancing | 1200 | September 28 2006 | Open-ended |
Ambassadors Theatre | Stomp | 330 | October 4, 2007 | Open-ended |
Apollo Theatre | Ross Noble | 796 | September 14 2009 | October 24 2009 |
Apollo Victoria Theatre | Wicked | 2208 | September 27 2006 | Open-ended |
Arts Theatre | Catwalk Confidential | 350 | September 9 2009 | October 3 2009 |
Cambridge Theatre | Chicago | 1231 | April 27 2006 | Open-ended |
Coliseum Theatre | Repertory theatre | 2358 | ||
Comedy Theatre | Prick Up Your Ears | 796 | September 30 2009* | Open-ended |
Criterion Theatre | The 39 Steps | 588 | September 20 2006 | Open-ended |
Dominion Theatre | We Will Rock You | 2163 | May 14 2002 | Open-ended |
Duchess Theatre | Endgame | 479 | September 18 2009* | December 2 2009 |
Duke of York's Theatre | Speaking in Tongues | 640 | September 18 2009* | December 12 2009 |
Fortune Theatre | The Woman in Black | 432 | June 7 1989 | Open-ended |
Garrick Theatre | Yiimimangaliso - The Mysteries | 656 | September 11 2009 | October 3 2009 |
Gielgud Theatre | Avenue Q | 937 | June 1 2009 | Open-ended |
Her Majesty's Theatre | The Phantom of the Opera | 1216 | October 9 1986 | Open-ended |
London Palladium | Sister Act | 2286 | 7 May 2009 | Open-ended |
Lyceum Theatre | The Lion King | 2100 | September 24 1999 | Open-ended |
Lyric Theatre | Thriller - Live | 967 | February 1 2009 | Open-ended |
New London Theatre | War Horse | 1100 | April 3rd 2009 | Open-ended |
Noël Coward Theatre | Calendar Girls | 872 | April 4 2009 | Open-ended |
Novello Theatre | An Inspector Calls | 1050 | September 22 2009* | November 14 2009 |
Palace Theatre | Priscilla Queen of The Desert | 1400 | March 10 2009 | Open-ended |
Piccadilly Theatre | Grease | 1232 | July 24 2007 | Open-ended |
Phoenix Theatre | Blood Brothers | 1012 | November 21 1991 | Open-ended |
Playhouse Theatre | La Cage Aux Folles | 786 | October 20 2008 | Open-ended |
Prince Edward Theatre | Jersey Boys | 1618 | March 18 2008 | Open-ended |
Prince of Wales Theatre | Mamma Mia! | 1160 | June 9 2004 | Open-ended |
Queen's Theatre | Les Misérables | 989 | April 3 2004 | Open-ended |
Royal Opera House | Repertory opera and ballet | 2262 | ||
Savoy Theatre | Dreamboats and Petticoats | 1150 | July 22 2009 | October 31 2009 |
Shaftesbury Theatre | Hairspray | 1400 | October 11 2007 | Open-ended |
St Martin's Theatre | The Mousetrap | 550 | March 25 1974 | Open-ended |
Theatre Royal, Haymarket | Breakfast at Tiffany's | 888 | September 29 2009* | January 9 2010 |
Theatre Royal, Drury Lane | Oliver! | 2196 | January 14 2009 | Open-ended |
Trafalgar Studios 1 | Othello | 380 | September 11 2009 | December 12 2009 |
Trafalgar Studios 2 | Kurt and Sid | 100 | September 9 2009 | October 3 2009 |
Vaudeville Theatre | Ed Byrne | 690 | September 7 2009 | October 3 2009 |
Victoria Palace Theatre | Billy Elliot | 1550 | May 11 2005 | Open-ended |
Wyndhams Theatre | The Shawshank Redemption | 759 | September 13 2009 | Open-ended |
London Theatre - Billy Elliot
London Theatre - Victoria Place
The entrance of electricity and other early 20th century theatrical technology meant that severe changes were needed. The oldest licensed music hall in London was finished. Again in 1910, no cost was spared and Frank Matcham's Victoria Palace cost the massive sum of £12,000 to build.
The theatre retains much of its original character, even more so since the auditorium, front of house and dressing rooms have recently been refurbished.
The grey marble foyer with its gold mosaic and white Sicilian marble pillars is much as it was in 1911. Outside, the facade, canopy and cupola have recently been restored to their former glory.
The auditorium holds 1550 seats and is fully air-conditioned. It features a magnificent sliding roof, a simple precursor of air-conditioning. Originally the Stalls, Dress Circle and Grand Circle each had their own entrance and their own box office selling pre-printed tickets from a paper plan.
The Victoria Palace changed into the new millennium with an courageous building programme; enlarging the Foyer, WC facilities and rising the dressing room space, whilst maintaining all the feel and character of a historic building.
In 2006, a replica of the original statue of Pavlova was reinstated to its original place above the cupola of the Victoria Palace and her gold-leafed figure once again gleams above us.
London Theatre - We Will Rock You
The plot is middling to say the least and the comedy is contained in simple one-line gags that barely raise a titter. The story is based in the far-away future at a time when musical instruments have been barred and kids are no longer able to make their own music. Instead they are subjected to Global Soft’s computer simulated virtual boy and girl bands, playing mindless dull boring tracks. Global Soft, the corporate giant that now controls the planet’s music industry has destroyed youth culture, turning all the boys and girls into cyber zombies whose only mission in life is to consume the company’s products.
Individualism is seen as a virus that intimidates to wipe out Global Soft’s market domination, and so the company’s police are used to control any kids that do not obey and to destroy their artistic creativity. However, like all oppressive regimes they have their adversary. In this case it is the “Bohemians”, teenagers who keep alive the legend of rock music and live subversive lifestyles outside Global Soft’s control. The Bohemians are awaiting their Messiah, the “Dreamer” who will remember the music of the past and will also locate the musical instruments that were hidden away by the rock band “Queen” who apparently anticipated the death of Rock and with it the enslavement of the world’s youth.
The Killer Queen, an evil dominatrix, is Global Soft’s Chairwoman who is strong-minded to stop the Dreamer and find and destroy Queen’s musical instruments. Will she succeed or will the Dreamer, Galileo, save Rock and the world’s youth from her evil corporate domination?
Not a great show, unless you happen to be a fan of Queen.
London Theatres - Dominion Theatre
Tangerine Dream's album Logos was proofed there in 1982, and contains a tune called "Dominion" in compliment.
Since the early 1990's the venue has played host to a exclusive version of Jesus Christ Superstar, David Ian and Paul Nicholas' new production of Grease, Scrooge - The Musical, Matthew Bourne's Swan Lake, Disney's Beauty & The Beast, a return of Grease and Notre-Dame De Paris amongst others.
In 2003, the hit stage musical We Will Rock You, a musical based on the songs of Queen made by Queen guitarist Brian May and British comedian Ben Elton opened.
From 2007, it is extensively wondered that the venue will play host to the London transfer of a new stage musical of The Lord of the Rings.
The Dominion Theatre Ownership
The Dominion has had a range of owners during its history. It has been activated by The Rank Organisation and Apollo Leisure from 1988 to 1999. In 1999 Apollo Leisure was taken over by SFX Entertainment and in 2001 SFX Entertainment was bought by Clear Channel Entertainment, part of the US based multinational. It is now part of Live Nation - ClearChannel's entertainments spin-off organisation.
London Theatres - Today's West End
New West End theatres continued to be built throughout the early years of the 20th Century, while the post war years saw the opening of London’s two great, modern, centres of theatre: the National Theatre and the Barbican. Although the rise of alternative entertainments such as the cinema and the cost of maintaining such extravagant buildings posed a constant challenge, West End theatre has continued to flourish in the modern era.
The prospect of many West End theatres has been constructed more secure through their purchase by major commercial theatre organisations such as the Ambassador Theatre Group, Andrew Lloyd Webber’s Really Useful Group and Cameron Mackintosh’s Delfont Mackintosh Group.
London theatre - Dury Lane
David Garrick
One of the many managers of the Theatre Royal in Drury Lane was the legendary David Garrick, another actor/manager/impresario who dominated West End and London theatre throughout the 18th Century. Garrick came to London in 1737 as a wine seller, but was soon distracted by the lure of the theatre, and in 1741 he played his first great role, Shakespeare’s Richard III. Over the next 30 years, Garrick had a huge influence on London theatre. His impact on West End (and world) theatre is remembered through the Garrick Club and the Garrick theatre.
The Society of London Theatre
The Society today
Today the Society merges its long-standing roles in such areas as industrial relations and legal advice for members with a agitation role for the industry, together with a wide variety of audience-development programmes to promote theatregoing.
SOLT creates the Official London Theatre Guide, the definitive guide to what’s on in London theatre, and hosts www.officiallondontheatre.co.uk, which is documented as one of the UK’s leading arts websites. SOLT also organises the Laurence Olivier Awards, London theatre's most important awards, and organises Kids Week and Get Into London Theatre, annual promotions aimed at making the world of theatre accessible to all.
About London Theatres
At whatever time, London productions might range from showy Andrew Lloyd Webber musicals to close two-person dramas. London theater-goers can often watch some of the world's most acclaimed actors trod the boards.
London's status as a theater-rich city can be traced hold up and admiration for the arts during the Elizabethan era. It was the time of the great English playwright Christopher Marlowe and William Shakespeare.
Elizabeth's time in power saw the building of the first permanent theaters in London; these included The Theatre (1576), the Rose (1587), the Swan (1595), and the theater that would most notably be linked with Shakespeare, the Globe.
While people from many areas of life may have enjoyed the plays, theater folks had a bit of an unsavoury standing, and London establishment forbidden performances within the city.
The Globe, which was made in 1599, was situated in Southwark because the district was outside the reach of the city fathers.
One of London's latest theaters surely has the oldest roots.
After many years of training and fundraising, a remaking of the original Globe, officially named Shakespeare's Globe Theatre, opened in 1997.
Built only yards away from the location of the original Globe, the new theater was the first London structure to include a thatched roof in more than 300 years. Building codes had not allowed such roofs since the Great Fire of London in 1666.
The Globe's season runs May to October; some theatre are staged with all-male casts as they were in Shakespearean times.
While often not the original buildings (fires and the London Blitz took their toll), some of London's present theaters draw their origins back to royal charters and licenses.
Four diverse buildings have served as the Theatre Royal, Drury Lane; the first opened with the blessing of King Charles II in 1663.
The Theatre Royal Haymarket (or Haymarket Theatre) was based in 1720.
Three different theaters have stood at Covent Garden's Royal Opera House, which first opened in 1728.
located on the South Bank next to Waterloo Bridge, the National Theatre (the honorific "Royal" was donated by Queen Elizabeth II in 1988) can have as many as eight plays running in repertory in its three theaters—the Olivier (named after the company's first artistic director, Sir (later Lord) Laurence Olivier), the Lyttelton, and the Cottesloe.
Brief History of London Theatre
The first playhouse in London was made at Shoreditch in 1576 and had the completely suitable name of The Theatre. previous to this, plays had been done in unplanned venues such as courtyards, inn-yards or spacious private homes. When the lease on The Theatre ran out in 1597, its productive owner Richard Burbage transported its timber across the Thames and used it to make the first (of three) Globe theatre on the South Bank. The Globe opened in 1599 with a company led by Burbage, who recognized himself as the first of London’s great actor/impresarios. Burbage was the first gentleman to play Hamlet, King Lear and Othello. The famous venues for theatres in London are Dury Lane, David Garrick, Today's West End,